You are currently browsing the John’s Blog weblog archives for the day February 2, 10.
- John's Adventures (12)
- Lessons (6)
- February 25, 10: 2010 Feast of the Hunters Moon
- February 19, 10: Need For Speed
- February 17, 10: Model Search
- February 16, 10: Scouting
- February 2, 10: New Year
- February 2, 10: Introduction
- February 2, 10: Lesson 1 - Focus
- February 2, 10: Easter Eggs
- February 2, 10: Lesson 2 - Metering
- February 2, 10: Lesson 3 - Exposure
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Archive for February 2, 10
New Year
February 2, 10 by admin.
Hey Gang:
Here it is 2010.My promise to our many fans, is to be more engaged with our blog. We’ve archived the previous posts and changed the post dates. This should make it easier for everyone to look at the previous discussions.
This year is going to be more exciting and educational for all of us.
The year started by winning the Travel and Tourism photo contest.
The Addy awards are coming up later this month. We’re hoping our desktop calendar and the National Group aerial calendar come back with awards.
March will find me in Sugarland, TX for the PAPA Conference.
Keep your eyes peeled for seminar dates and more on line lessons. Remember, submit your questions about photography. I’ll be more than happy to give you my opinion.
Keep Shooting
John
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Introduction
February 2, 10 by admin.
Hi Everyone: Welcome to my first blog.This blog will be used to keep you informed of my many adventures. But more importantly, it will be used as an education platform.The lessons will allow you to unleash your creativity, take control of your camera and the situations you encounter and maximize your efficiency behind the camera. Please feel free to email me if you have any questions or concerns.Keep shooting!!John
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Lesson 1 - Focus
February 2, 10 by admin.
There are several types of focus systems out there. In the world of Nikon, the camera’s are marked with the letters, “C, S, and M.” The letters stand for Continuous Servo, Servo, and Manual.
Each one performs a special function that adds to your creativity.Continuous servo allows you to track the subject, which is great for sports photography.
Servo, the more basic type, is great for focusing on a subject and, while keeping your finger on the shutter release button, lets you move the camera slightly to change the composition.
Manual is simply you turning the focus ring on the lens. If you do landscape photography, you’ll find it useful to focus on the subject while in servo mode and then change the focusing mode to manual. Doing this allows you to create wonderful images without worrying about vibration or accidental focus changes.
I hope you find this information useful. Let me know if you have any questions.
John
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Easter Eggs
February 2, 10 by admin.
Hey Gang:
Today’s assignment took me to the baseball fields of Subaru of Indiana Automotive, for the Greater Lafayette Easter Egg Hunt.
Capturing the joy and excitement of hundreds of children sprinting after candy was more challenging than expected. I was surrounded by children on all sides, that converged on what seemed one spot, me.
Have a great Easter holiday and remember,
Keep Shooting!!
John
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Lesson 2 - Metering
February 2, 10 by admin.
Creating an image with the correct exposure is more important today than in the days of film. Back then a lab could pull something out of an area that seemed very dark. Digital does not permit that flexibility.
Metering is done via the matrix mode, center weighted mode, or spot mode. Each one allows different levels of creativity.Matrix mode reads multiple areas and calculates the light levels. Center weighted reads a small area near the center of the view finder. Using this mode is great for shooting outdoor sports.Spot metering reads the light at one specific spot. This is great for subjects that are backliteThe one important fact to remember is that every meter reads light at 18%. In the black and white world, it would be 18% gray.Digital imaging allows us to preview our shots and see the difference each metering mode brings to the image. It doesn’t matter if you shoot a white or black piece of paper. The camera will give you the same final tone: 18% gray.In our next lesson, we will discuss exposure. It will then become a little clearer.Let me know if you have any questions.Keep Shooting !!John
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Lesson 3 - Exposure
February 2, 10 by admin.
Determining the correct exposure for an image is essential to creating images that are award winning and images that convey the emotion and feeling you desire.The correct exposure is a combination of the shutter speed, f/stop (aperture), and ISO.
Exposure = Shutter speed + f/stop + ISO
1/8 second + f/5.6 + ISO 640
1/8 second + f/8 + ISO 1000
1/8 second + f/11 + ISO 1600
All of these settings produce the same exposure
The correct exposure is determined by the lighting situation
and what the subject is doing.
Photographing a basketball game with available light.
Fast shutter speed + low f/stop + higher ISO
Outdoor portrait on a sunny or over cast day.
Slower shutter speed + low f/stop + low ISO
When any one of the variables: shutter speed, f/stop, or ISO change, then one other variable must also change.
If you are shooting in a dark environment, but need a fast shutter speed, you must increase your ISO and open the lens aperture to allow more light to hit the sensor.
Beware of changing the ISO. Every camera has its own lowest ISO point. It is this point that will produce the most noise free images. Last year a client came to me with her camera. Frustrated with the way her images were appearing. Upon looking at her images, I noticed that any image she shot outside was beautiful. Yet every indoor or low light situation was very poor. Her camera’s lowest ISO was 50. An ISO that is designed for bright sunlight. Once she increased the ISO, she introduced large amounts of noise.
To sum this all up: let your subject and creativity decide the correct combination. Your camera has a shutter priority mode, aperture priority, and program mode. Play with them until you get comfortable manipulating the variables.
Let me know if you have any questions.
Keep shooting!!
John
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Grand Prix Shoot
February 2, 10 by admin.
This afternoon we completed our aerial session of the Purdue Grand Prix.Mother nature, as usual threw us a curve ball. Skies were sunny, temperature was 81 degrees, winds were 29 knots (34 mph). You read that right, 34 mph.Thank goodness for great pilots and their aircraft.I was hoping to use this as a lesson on what you can do by playing with shutter speeds, but the idea of just blurring the race cars became impossible.Great day of shooting though.Spring is here!!!!Keep Shooting!!!John
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Purdue Grand Prix
February 2, 10 by admin.
Great News Gang:As some of you know, we have been entrusted with a couple calendar projects. One of them requires a lot of time hanging out of aircraft.We just got permission from the FAA and Homeland Security to flyover and photograph the 2009 Purdue Grand Prix race. Several of the images from this flight will be posted as examples of playing with shutter speeds.Now we just need to hope for good weather. That is the one really bad thing about aerial imaging, we have no control over what nature throws at us. So we just pray and keep our fingers crossed.I’ll let you know how it goes.By the way Nikon is about to release its new digital SLR. Looks like another great camera.Keep shooting!!!John
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Glorious Flight
February 2, 10 by admin.
Hey Gang:Had a beautiful photo flight on Monday. We flew to Benton County to capture the wind turbines, amid the thousands of acres of farm land.This session was for a calendar project that will go to press in October.Take a look at the colors.Keep Shooting !!!John![]()
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Lesson 4 - Shutter Speed
February 2, 10 by admin.
Being able to stop a speeding tennis ball or a horse chasing down a calf, requires a fast shutter speed. Each of these was shot at 1/500th second and f/2 at ISO 200.In each of these situations, the shutter speed coupled with a large aperture, provided the impact I wanted.The large aperture allows me to concentrate the attention on the tennis ball and player. The line umpire is important to the image, but is secondary.Therefore, using a shallow depth of field allows me to throw him out of focus and yet use him to make the image memorable.
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